This volume includes “Milesians and Alans in the Northwest of the Iberian Peninsula and the Mythical Invasion of Ireland,” by Manuel Alberro; “The Breton Compositions of Jean Cras,” by Paul André Bempéchat; “The ‘Gallic Disaster’: Did Dionysius I of Syracuse Order It?,” by Timothy Bridgman; “Dangerous Liaisons,” by Marion Deane; “Cernunnos: Looking a Different Way,” by David Fickett-Wilbar; “Epic or Exegesis? The Form and Genesis of the Táin Bó Cúalnge,” by John J. Fisher; “Introducing King Nuadha: Mythology and Politics in the Belfast Murals,” by Alexandra Hartnett; “‘Gaelic Political Scripture’: Uí Mhaoil Chonaire Scribes and the Book of Mac Murchadha Caomhánach,” by Benjamin James Hazard; “Voice, Power, and Narrative Structure in Orgain Denna Rig,” by Bettina Kimpton; “Cú Chulainn: God, Man, or Animal?,” by Erik Larsen; “The Celtic Seasonal Festivals in the Light of Recent Approaches to the Indo-European Ritual Year,” by Emily Lyle; “The Date and Provenance of Vita Prima Sanctae Brigitae,” by Laurance Maney†; “Spirit and Flesh in Twentieth-Century Welsh Poetry: A Comparison of the Works of D. Gwenalt Jones (1899–1968) and Pennar Davies (1911–1996),” by D. Densil Morgan; “Joseph Cooper Walker’s Historical Memoirs of the Irish Bards (1786): Significance and Impact,” by Lesa Ní Mhunghaile; “Old Irish *desgabál and the Concept of Ascension in Irish Religious Texts,” by Brian Ó Broin; “Oenach Aimsire na mBan: Early Irish Seasonal Celebrations, Gender Roles, and Mythological Cycles,” by Sharon Paice MacLeod; “Literature Reviews in An Claidheamh Soluis: A Journalistic Insight to Irish Literary Reviews in the Revival Period 1899–1932,” by Regina Uí Chollatáin; and “Celtic Ornament, Irish Gospel Book Decoration, and the Illustrated Prose Lancelot of Yale 229,” by Elizabeth Moore Willingham.

This volume includes “Fabricating Celts: How Iron Age Iberians Became Indo-Europeanized during the Franco Regime,” by Aarón Alzola Romero and Eduardo Sánchez-Moreno; “Nations in Tune: The Influence of Irish Music on the Breton Musical Revival in the 1960s and 1970s,” by Yann Bévant; “Ethnicity, Geography, and the Passage of Dominion in the Mabinogi and Brut y Brenhinedd,” by Christina Chance; “Rejecting Mother’s Blessing: The Absence of the Fairy in the Welsh Search for Identity,” by Adam Coward; “Gwalarn: An Attempt to Renew Breton Literature,” by Gwendal Denez and Erwan Hupel; “At the Crossroads: World War One and the Shifting Roles of Men and Women in Breton Ballad Song Practice,” by Natalie Anne Franz; “Apocryphal Sanctity in the Lives of Irish Saints,” by Máire Johnson; “An Dialog etre Arzur Roe d’an Bretounet ha Guynglaff and Its Connections with Arthurian Tradition,” by Herve Le Bihan; “A Walk on the Wild Side: Women, Men, and Madness,” by Edyta Lehmann; “The Early Establishment of Celtic Studies in North American Universities,” by Michael Linkletter; “‘In t-indellchró bodba fer talman’: A Reading of Cú Chulainn’s First Recension ríastrad,” by Elizabeth Moore; “Dream and Vision in Late-Medieval Scotland: The Epic Case of William Wallace,” by Kylie Murray; “‘Some of you will curse her’: Women’s Writing during the Irish-Language Revival,” by Riona Nic Congáil; “Dating Peredur: New Light on Old Problems,” by Natalia I. Petrovskaia; “‘From the shame you have done’: Comparing the Stories of Blodeuedd and Bláthnait,” by Sarah L. Pfannenschmidt; and “‘And there was a fourth son’: Narrative Variation in Cyfranc Lludd a Llefelys,” by Kelly Ann Randell.